TEDxSFU Conference:Unravel
Stitching a New Form of Progress: lessons from sewing about making and moving backwards
Saturday Nov. 14th & Sunday Nov. 15th*
1-5pm PST (Live-streamed)
*I will be presenting on Sunday around 2:45pm PST, but please join for both days to hear incredible talks from other speakers!
RSVP to receive the link (admission is FREE but you do need to register):
https://hopin.to/events/tedxsfu-2020-unravel
More info:
https://tedxsfu.com
TWO CANOE
Starring: Patrick Dodd & Brian Postalian
Technical Director: Casper Leerink
Choreographer/Director: Meagan Woods
This project received financial support from the National Theatre School of Canada via the Art Apart program.
(Photo: "still" shot of rehearsal)
“Two Canoe” tracks a conversational dance between two rowers who debate whether they are paddling along in the same boat, or whether their separate boats are merely heading in the same direction. The virtually side-by-side performances both undermine and epitomize the confusion and heart ache at the core of this work: in what ways are the rowers very much together, and quite entirely apart?
Stitching a New Form of Progress: lessons from sewing about making and moving backwards
Saturday Nov. 14th & Sunday Nov. 15th*
1-5pm PST (Live-streamed)
*I will be presenting on Sunday around 2:45pm PST, but please join for both days to hear incredible talks from other speakers!
RSVP to receive the link (admission is FREE but you do need to register):
https://hopin.to/events/tedxsfu-2020-unravel
More info:
https://tedxsfu.com
TWO CANOE
Starring: Patrick Dodd & Brian Postalian
Technical Director: Casper Leerink
Choreographer/Director: Meagan Woods
This project received financial support from the National Theatre School of Canada via the Art Apart program.
(Photo: "still" shot of rehearsal)
“Two Canoe” tracks a conversational dance between two rowers who debate whether they are paddling along in the same boat, or whether their separate boats are merely heading in the same direction. The virtually side-by-side performances both undermine and epitomize the confusion and heart ache at the core of this work: in what ways are the rowers very much together, and quite entirely apart?
